Isobel Campbell & Mark Lanegan - Hawk (ALBUM REVIEW)
Monday, 16 August 2010
Written by James Conlon
Hawk is the third release from the unlikely duo of Mark Lanegan and Isobel Campbell, who have mixed gruff Americana with tender folk roots to form a diverse and compelling album. The pair embrace their contrasting natures as Lanegan's husky, Spaghetti Western murmurs seem an unlikely partner for Campbell's sheepish, melody-driven vocals, but there is an undeniable charm which penetrates through into every track.
The record is primarily the brainchild of Campbell (of Belle & Sebastian fame), who wrote and produced all of the songs, however one would be forgiven for thinking otherwise: the album embraces the worlds of country, soul and blues with songwriting which seems to be tailored specifically for Lanegan's weathered vocals. No more vindication for this point is needed than the effortlessly stylish Come Undone, where staccato piano and soaring violins tear through the heart of a song which would sit comfortably in any Johnny Cash back-catalogue.
In complete contrast, this is followed by No Place to Fall, a steadfast acoustic track which oozes melancholy from every fingerpicked note. The song features folk-driven violins reminiscent of Bright Eyes'Four Winds, subtle harmonies and more tenderness than a high school prom night: "If I had no place to fall and I needed to, / could I count on you to lay me down?"
The pair impress again with Get Behind Me, a guitar track which could have been written exclusively for the T-Birds: fusing jangly electric hooks, walking basslines and soaring organs, the song is one of the strongest on the album and sure to set fingers clicking unconsciously all over.
Other highlights include Cool Water, a sombre acoustic track which features a duet with none other than Willy Nelson and Hawk (the title track of the album), a daring and chaotic instrumental which forces raspy, screaming horns against a conventional bass riff.
Overall, Hawk is an ambitious album and an excellent presentation of Campbell's skill as a songwriter. Lanegan's world-weary contributions only add to an excellent record where each track is innovative, well-crafted and unique in its own right.
Mark Lanegan and Isobel Campbell have two dates in Glasgow and London in early September to promote the album (released on August 16th), followed by an extensive European and North American tour.
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In complete contrast, this is followed by No Place to Fall, a steadfast acoustic track which oozes melancholy from every fingerpicked note. The song features folk-driven violins reminiscent of Bright Eyes' Four Winds, subtle harmonies and more tenderness than a high school prom night: "If I had no place to fall and I needed to, / could I count on you to lay me down?"
