Mwahaha have been writing and performing together for nearly 10 years, bringing their own brand of experimental, psychedelic pop to the masses. Their self-titled debut was released last year and is now set for the reissue treatment through US label Plug Research.
Recorded largely with Eli Crews (Deerhoof, WHY?, TuNe-yArDs) at their own studio, the record also features a string of drummers and Merrill Garbus’ (TuNe-yArDs) glorious vocals on the magnificent Love.
The album opens with what sounds like a heart-rate monitor at one continuous pitch, heralding the first track, Swimmer. Rhythmic drums and an accessible electronic melody give way to muddy vocals, which are seriously detrimental to the previously pretty sound.
The second half of track bounds off in a completely different direction as the drums change time and the melodic electronica disappears. The instrumentation is a little confused. Subsequent listens will make it more bearable, but it’s all a bit too much like hard work.
Rainbow Diamond brings a heavy pop influence to the party. With a strong vocal hook, the song provides safe experimentation and a TV On The Radio-esque falsetto in parts.
At first, Poinsettia catches you off guard, lacking focus and using all sorts of odd electronic sounds before landing back on its feet with a melodic vocal line. On Love, Garbus’ vocals perfectly complement Peacock’s baritone, while Lime Tree - a sprawling instrumental - serves as a tidy counterpart.
We Build is a definitely a standout track and is the closest thing the album has to a hit. With its pounding drums and killer basslines, it throws out interesting developments both vocally and instrumentally. Its vocal pops, shouts and embellishments slowly become dehumanised and the distorted vocals are very reminiscent of Swedish indie-pop outfit Miike Snow.
The 10-minute opus BathynomusGigantes! keeps a steady bass line as the sound builds and builds and builds. It’s experimentation personified, but it doesn’t really work – just like the two tracks tacked on for the reissue. Das Space and Amba are both lengthy, experimental offerings, but neither adds a great deal to the album’s overall appeal. ‘Mwahaha’ delivers intriguing layers of sound as well as pop gems, and within a few minutes you’ll know whether you love it or hate it.
NOTE FROM THE EDITOR
We don't run any advertising! Our editorial content is solely funded by lovely people like yourself using Stereoboard's listings when buying tickets for live events. To keep supporting us, next time you're looking for concert, festival, sport or theatre tickets, please search for "Stereoboard". It costs you nothing, you may find a better price than the usual outlets, and save yourself from waiting in an endless queue on Friday mornings as we list ALL available sellers!
